Las óleos de todo Louis Janmot


ID Image  Painting (From A to Z)       Details 
82938  
Louis Janmot, Divine generation
 
 Divine generation   Date 1854(1854) Medium Oil on wood cjr
86743  
Louis Janmot, Divine generation
 
 Divine generation   1854(1854) Medium Oil on wood cyf
82925  
Louis Janmot, Fatherly roof
 
 Fatherly roof   Date 1854(1854) Medium Oil on wood cjr
86738  
Louis Janmot, Fatherly roof
 
 Fatherly roof   1854(1854) Medium Oil on wood cyf
82915  
Louis Janmot, First communion
 
 First communion   Date 1854(1854) Medium Oil on wood cjr
94985  
Louis Janmot, Flower of the Fields
 
 Flower of the Fields   1845 Type Oil on wood Dimensions 103 cm x 83 cm cyf
86739  
Louis Janmot, Memories of the sky
 
 Memories of the sky   1854(1854) Medium Oil on wood cyf
82936  
Louis Janmot, Passage of the soul
 
 Passage of the soul   Date 1854(1854) Medium Oil on wood cjr
86742  
Louis Janmot, Passage of the soul
 
 Passage of the soul   1854(1854) Medium Oil on wood cyf
82908  
Louis Janmot, Poem of the Soul
 
 Poem of the Soul   Date 1854(1854) Medium Oil on wood cjr
96217  
Louis Janmot, Poem of the Soul
 
 Poem of the Soul   1854(1854) Medium Oil on wood cyf
97058  
Louis Janmot, Poem of the Soul
 
 Poem of the Soul   1854(1854) Medium Oil on wood cyf
83244  
Louis Janmot, Poem of the Soul  On the mountain
 
 Poem of the Soul On the mountain   1854(1854) Medium Oil on wood cyf
83241  
Louis Janmot, Poem of the Soul  One evening
 
 Poem of the Soul One evening   1854(1854) Medium Oil on wood cyf
83239  
Louis Janmot, Poem of the Soul  The flight of the soul
 
 Poem of the Soul The flight of the soul   1854(1854) Medium Oil on wood cyf
82927  
Louis Janmot, Poem of the Soul - Memories of the sky
 
 Poem of the Soul - Memories of the sky   Date 1854(1854) Medium Oil on wood cjr
92679  
Louis Janmot, Poem of the Soul - Sunrays
 
 Poem of the Soul - Sunrays   Date 1854(1854) Medium Oil on wood TTD
83236  
Louis Janmot, Poem of the Soul Ideal
 
 Poem of the Soul Ideal   1854(1854) Medium Oil on wood cyf
83235  
Louis Janmot, Poem of the Soul Reality
 
 Poem of the Soul Reality   1854(1854) Medium Oil on wood cyf
97057  
Louis Janmot, Poem of the Soul Sunrays
 
 Poem of the Soul Sunrays   1854(1854) Medium Oil on wood cyf
82930  
Louis Janmot, Spring
 
 Spring   Date 1854(1854) Medium Oil on wood cjr
86740  
Louis Janmot, Spring
 
 Spring   1854(1854) Medium Oil on wood cyf
82932  
Louis Janmot, The Angel and the Mother
 
 The Angel and the Mother   Date 1854(1854) Medium Oil on wood cjr
86741  
Louis Janmot, The Angel and the Mother
 
 The Angel and the Mother   1854(1854) Medium Oil on wood cyf
82910  
Louis Janmot, The golden stairs
 
 The golden stairs   Date 1854(1854) Medium Oil on wood cjr
82922  
Louis Janmot, The nightmare
 
 The nightmare   Date 1854(1854) Medium Oil on wood cjr
86737  
Louis Janmot, The nightmare
 
 The nightmare   1854(1854) Medium Oil on wood cyf
82918  
Louis Janmot, The weed grain
 
 The weed grain   Date 1854(1854) Medium Oil on wood cjr
82914  
Louis Janmot, Virginitas
 
 Virginitas   Date 1854(1854) Medium Oil on wood cjr

Louis Janmot
(21 May 1814 - 1 June 1892) was a French painter and poet. Janmot was born in Lyon of Catholic parents who were deeply religious. He was extremely moved by the death of his brother in 1823 and his sister's in 1829. He became student at the Royal College of Lyon where he met Frederic Ozanam and other followers of his philosophy professor, Abbe Noirot. In 1831 he was admitted to the École des Beaux-Arts de Lyon and a year later, he won the highest honor, the Golden Laurel. In 1833, he came to Paris to take painting lessons from Victor Orsel and Jean-Auguste-Dominique Ingres. With other Lyon painters, he entered the Society of St. Vincent de Paul. In 1835, he went to Rome with Claudius Lavergne, Jean-Baptiste Frenet and other students and met Hippolyte Flandrin. After his come back to Lyon in 1836, Janmot would attract the attention of critics of the Salon de Paris in conducting large-scale paintings with religious inspiration such as The Resurrection of the son of the widow of Nain (1839) or Christ in Gethsemane (1840). After 1845, he attracted the interest of Charles Baudelaire with his painting Flower of the Fields that allowed him to access to the Salon of 1846. Theophile Gautier was impressed by his Portrait of Lacordaire (1846). But the failure of his Poem of the Soul at the Universal Exhibition of 1855 disappointed him. In December of that year he married Leonie Saint-Paulet, from a noble family in Carpentras. In 1856, Janmot obtained a commission to paint a fresco (since destroyed) representing the Last Supper for the church of St. Polycarp. Other orders followed, including the decoration of the dome of the Church of St. Francis de Sales and for the town hall that had been renovated by his friend the architect T. Desjardins. He was then appointed professor at the École des Beaux-Arts.



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